Kim Coleman and Jenny Hogarth
Players was a portrait of Frieze London. The art fair felt like the perfect ready-made stage, reminiscent of Jacques Tati’s epic set for Playtime (1967). Players was a panoramic installation in the round, created live throughout the duration of the fair. We positioned controllable cameras across the site, which fed into a hexagonal viewing booth. The projected video bounced off an array of coloured mirrors, leaving visitors saturated in aestheticised views of the exposition, transforming it into a mise-en-scene incorporating artworks, unwitting fair goers, gallerists, artists, and staff. The spectacle was manipulated by us from the backstage location, where we mixed between feeds, and zoomed in and out. The fair appeared as if seen through a digital camera obscura crossed with a Claude Glass. This inverted view toyed with the strange and complex carnival of the art fair which became subject to and of the work - allowing for consideration of this already otherworldly environment and meditation on what or who is to be scrutinised and what is not.
Frieze Projects, commission for Frieze London. supported by The Cartier Foundation and Frieze Foundation